\_ The Creativity of Furniture Designers in the twentieth century and the benefit of it in contemporary furniture design \_
First Part : _Thought between philosophy and creativity_ Chapter One : _Creative Thinking_:
This chapter reviews the definition of the concept of innovation and levels of innovation, as well as the difference between talent and creativity and innovation, and the relationship between man and creativity. As seen through this chapter the various factors that affect the creative process, and what is perception and the importance of innovative thinking, as well as to destinations explanatory theory of creativity, with illustrating some of the ways that make a person more creative, innovative because that creativity is a multidimensional phenomenon. In the end, the goal of creativity in interior design and furniture.
Chapter Two : _Creativity and personality of the designer_ :
This chapter includes the definition of personal relationship between intelligence and innovation in the personality of the individual, in addition to individual skills and intellectual components of the innovative character. As well as the mental qualities in an individual_s personality innovative, emotional and social qualities in an individual_s personality innovative. It also includes psychological characteristics and personal styles of innovators, and gradients psychological and physiological needs of the designer. And this chapter includes the principles of innovation, which depends on the personality of the individual, and the relationship between behavior and environment and personal as well as methods of generating ideas in any of the individual in terms of personal abilities in the innovative process, and the capacities of different designer and according to the needs of the designer. It also includes the role of innovation in the personality of the individual, and the difference between one person and implementation of the idea person. This chapter reviews the obstacles to innovation in general, and impediments to innovation because of the individual_s personality, as well as the basic requirements of the individual in innovative production process. And finally summarize the individual personality traits innovative, cost-effective product of civilization_s cultural creativity of the designer, as well as tools designed to achieve the motives constraints faced by the designer in the Third World.
Chapter Three : _Foundations assess the aesthetic dimension in furniture design_:
This chapter explains the design philosophy and design elements. It also includes the concept of beauty moral and physical beauty, and the values of beauty in design theory. This chapter reviews the philosophy of aesthetic values assessment dimension aesthetic furniture design through a combination of elements, first: aesthetic values of the modular design furniture, second: the role of shape furniture design, third: The role of colors in furniture design, Fourth: The nature of the source of inspiration for the design furniture units, Fifth: Figure correlation function furniture units, sixth: the aesthetic value of the texture in the design pieces of furniture. Finally, the different characteristics to assess the aesthetic dimension in furniture design, and some of the criteria affecting the decisions of the designer when developing specific design. And finally summarize some foundations to evaluate the aesthetic dimension.
Second Part : _The furniture in the twentieth century between style and sophistication_
Chapter One : _About the evolution of different furniture through the ages_:
This chapter illustrates the development of furniture throughout history. Shows the evolution of furniture in ancient Egypt, the evolution of the furniture through history, the evolution of Islamic furniture, the evolution of furniture in the Renaissance, the evolution of furniture in the Baroque era, the evolution of furniture in the eighteenth century, 18 and the era of Rococo, the evolution of furniture in the late 18th century XVIII . Finally, the evolution of 19th-century furniture in the nineteenth century.
Chapter Two : _ The most important furniture designers of the twentieth century_:
This chapter includes the names of the designers and humanitarian, their nationality and global conditions that have accompanied each of them or different motives and the factors that influenced the direction of each designer. All of this in order to know different methods to address the direction of designer furniture worlds through the mind of the pioneers in this field and various lines of their designs.
This chapter also includes the circumstances that led to the bringing of these products with applied art and character which has become a global entity in most parts of the world.
Chapter Three : _ Models from the most important furniture designers in the twentieth century_:
This chapter identify the most important work of the early pioneers former, and the most important characteristic style of each of them, in order to achieve the objective of the study of such acts which illustrate principles and rules upon which the philosophy of their business, in addition to the pursuit of thought considered for these designers, which could guide furniture designer, and assisted in creating design solutions practical and aesthetic. This chapter also includes models of the most important furniture designers in the twentieth century and conclusion for the most important characteristic of their style design (from the perspective of the researcher).
Third Part : _ The Creativity between analysis and application_
Chapter One : _ _An analytical study of the most important work of some international furniture designers_:
This chapter reviews the most important work of some of the international furniture designers historically and ordering them from oldest to newest with an analysis of the design from the perspective of the researcher. Where furniture design taken in that period two first directions: the revival of traditional methods with the freedom to act in modifications as rare artisan tradition in this area. Second: the response to the demands of modern life affected the social and economic transformations consumer, and the evolution of architecture and residential spaces. Where this trend attracted more talent on the furniture industry since the late nineteenth century, and the beginning of the twentieth century and opened new materials and techniques doors wide to furniture makers for innovation and renewal diversification until he became a key goal of this workmanship.
Chapter Two : _Some models from contemporary furniture designers _:
This chapter deals with some models of the work of some contemporary furniture designers, as the design process must be subject to the standards and established the aesthetic and functional by the Fine infrastructure and in solving the problems of utilitarian design commensurate with the design environment. Through this chapter has been identified some designers contemporaries and some of their work in addition to About life and the direction of the designer and the most important achievements with a conclusion most important characteristic of his style design and some examples of his work as he tries Designers Furniture applying some new techniques and innovative in terms of new technologies and the development of the materials used, as well as the design lines to keep pace with the huge technological development which we live.
Chapter Three : _Application _ :
This chapter includes field study through a questionnaire to find out how to take advantage of thought furniture designers world from the point of view of some specialists in interior design and those who teach for this specialty at the Faculties of Arts Applied Department of Interior Design and furniture, as well as a set of normal users which were selected randomly. It also includes analysis of the data, the most important conclusions and an applied study.