An Intellectual view for printing designs creator through the use of the possibilities forms for the line Arabic
The Arabic calligraphy - and remains - a source of creativity of the artist, past and present, as long as draws its components _ its originality, auction model the Arab way plastic to _ a system of words Mqrah on the basis of linguistic alphabetical, it is an important source of the formation of functional and aesthetic has spread in recent times textiles printed with inscriptions in English or Chinese , and carries with it the culture of the peoples of colors and words, may not be aware of its meaning _ the meanings used by or inconsistent with his ideas or beliefs. It has become the Arabs themselves using English or French more than they use for Arabic or Arabized terms are foreign. Because one of the roles of art core is to preserve the Arab identity, which distinguishes us _ other peoples Identity achieve excellence and differentiation _ the other, and the role of art here is a combination of Heritage and contemporary technical between the old and new, which leads to creativity without the destruction of Arab identity to preserve the heritage with the _ to ensure its continuity. The present research tries to use the techniques and s_s associated with the design of printed textiles, investment and employment potential of graphics for computer represented in orders program corel draw, 14 to enrich the aspects of creative thinking and help _ a fluency and originality fine through experimentation and the use of _natives to plastic, multiple solutions in plastic arts in different and innovative design elements per based on Arabic calligraphy.
The research aims to: trying to develop a method of addressing heritage of Arabic calligraphy to produce solutions to design innovative products, printed and determining the role that can be done by computers in enriching the printed products do permutations and combinations of the types of redundancy various zoom, overlay, and perspective, modeling, contact, touching, and the different grades silhouettes) follow the diversity of bodies of print, and review of the effects resulting _ the use of orders program corl draw, 14 for a technical designs _uted for Arabic calligraphy., and shed light on some of the artists who have used Arabic calligraphy in their art.
The research follows the approach and experimental descriptive approach by offering a practical comparison of the potential of graphics commands to program corel draw, 14 design variables and through treatment for a graphic design of Arabic calligraphy.
And supports research on the descriptive method to describe and analyze the potential of plastic to line the Arab and experimental in the work of design printing using different combinations of Arabic calligraphy depending on the shape and area of printed products with eating variables (transparency, overlay, exaggeration, omission, perspective, zoom, zoom, modeling, to seek, and differences in degrees of shading, etc.
The research found the following results:
Can be input to the Arabic calligraphy work of innovative printing designs through the use of modern technology in the computer program Corl Draw, 14.
It is recommended that the researcher need to develop teaching strategies the teacher university and pursue technological progress and the use of computer programs in the educational process design through the activation of the importance of computers in schools design Batik - technical tool - in the field of design as provided by the potential of professional multi to raise the technical level and aesthetic design Besides the high quality and speed in performance, and the need to stick with thought-Arab in the design of printed textiles so as not to give the opportunity to enter designs alien to our Arab distort heritage and erase the Arab identity, as well as interest in the study of Arabic calligraphy because of its historical significance and artistic multi-could be used in the field of textile printing